“There is no such day when I find myself without stories or
ideas swarming around me.”
Rick Kogan, an icon of Chicago journalism and a keynote speaker at CWC’13.
CWC’13 started with a Kick-Off party at Open Books Bookstore where I volunteer. Besides socializing and making new friends, conference attendees were entertained by special readings of Chicago Stories by performers from This Much Is True.
For the next two days the conference took place in Harold Washington Library Center of the Chicago Public Library.
One of the most interesting presentations for me on the first day was that of Ian Belknap, the founder of “Write Club” – a lineup of Chicago writers/performers who compete in performing for cash going to a charity of their choosing. Ian gave advice on performing writer’s work in front of the audience and capturing listeners’ attention. Here are a few tips from Ian on how to be an excellent reader:
1. Always keep in mind that the goal of reading is to deliver the message, tantalize the audience.
2. It’s always better to choose simplicity when reading an excerpt from your book. If a sentence can’t be read in one breath, it has to be rewritten. Dialogue would probably be a bad choice, unless it’s a breaking point in a story. But if you do read a dialogue, don’t change the way you talk with a change of the character. Instead, you can change a deepness of your voice or the way you turn your head.
3. When asked to read a 5-minute long piece, make it 4 minutes, and leave room for questions.
4. Not everyone is brilliant when it comes to public speaking. You may need to take a Live Lit class or public speaking class in your local university before performing your work.
5. Practice is the mother of excellence. Read aloud as if you are performing as much as you can; study your tendencies and improve them.
Shannon Downey from “Pivotal Chicago” shed some new light for me on social media as a tool for selling books. She stressed that once a writer defines social media as a marketing tool, she is screwed. Social media should be seen as a collection of tools that can help a writer curate a boundless community of people in a different way. Trust and authenticity are factors that will drive any social media. Instead of promoting your book on your website, become sort of “go-to” in your field. Less than 10% of your content should be about what you are selling.
Since I am interested in travel journalism and plan to attend Columbia College to get my MA in Journalism next year, I really enjoyed a presentation by Glenn Jeffers, an Editor of Kellogg Magazine, “How to Take “Free” Out Of Freelance”. He gave a step-by-step guidance for beginning freelancers to get their foot in the field:
- Get business cards. You never know whom you can run into.
- Create your website with your resume and short clips that show your ability to tell what happened in a precise manner.
- Do your research on editors of magazines/newspapers that you’re interested in and see what they’re currently looking for. Mediabistro.com is a great tool for this. It is a website that features news in publishing industry as well as writing jobs.
- Define what your area of expertise is and work hard to expand your knowledge.
- Improve your video/audio production knowledge.
- Try to submit your work to small publications: custom publishing companies where they have a small editorial staff and hire journalists-freelancers (i.e. Hemisphere Magazine by United Airlines or universities alumni magazines); regional publications such as Chicago Sun – Times or Red Eye. If your first work is spotless, you’ll become a sort of go-to for the editors.
- Join professional journalist groups such as Chicago Headline Club.
I feel overwhelmed with the gratitude for experiencing Chicago Writers Conference! Besides learning more about writing craft, I feel a part of Chicago creative community now.